Mount Orégano

 “If anyone can talk you out of writing, they should.” I think Harlan Ellison said that — at least, it sounds like something curmudgeonly he would say.

Here’s why you shouldn’t be a writer:

You’re not talented enough. Actually, this is a lie. Of course you have talent. We’re all born talented. Children love to make things, and so did you when you were young. Then you may have absorbed the Romantic Era myth of the artist as a hero who effortlessly produces works of staggering genius that are perfect in the first draft. You can’t do that. Neither can I. Neither could they. If you poke into the biographies of the great, heroic writers, you’ll find they studied hard, worked like dogs, and rewrote endlessly.

You’re too scared. This might be true. But what exactly are you afraid of? Making mistakes? Failure? Rejection? There are all kinds of fears. The Writer’s Book of Doubt by Aidan Doyle lists a wide variety of them. I own the book and I’m scared to read it, although the book also explains how fears can be overcome.

You might not know enough about the writing business. As a result, you have unrealistic expectations, whether you want to try traditional publishing or self-publishing. (Writing without the intent to publish is fine, of course, and if that’s your goal, ignore this paragraph.) However, you can learn about the business. The information is freely available, but…

You don’t want to work hard. And it’s going to be very hard work. This might be the most common reason for not writing. I don’t like to work hard, either. It’s lonely, sometimes boring, and, well, hard. There’s always more to learn, and it’s easy to get lost in books and conferences about writing rather than to sit down and write. Or to watch TV or doomscroll rather doing the research, planning, writing, rewriting, more rewriting, and even redrafting. “The first draft of anything is shit,” as Ernest Hemingway probably said.

When I talk to people who aren’t writers, rewriting turns out to be the thing they find impossible to understand. They can’t imagine needing to rewrite a dozen or more times.

When I talk to people who are experienced writers, they whine about how hard the work is, but they’ll rewrite until it’s right, and they’ll do all the other tasks the job involves. They’ve learned how to work hard.

Do you still want to write? Good. I wish you every kind of success, whatever success means to you. If you want more encouragement, I recommend this free comic, Art & Courage: A Guide to Sustaining a Creative Path, created by the Applied Cartooning Lab. It addresses all kinds of art, not just writing or cartooning.

And finally, here’s some writing advice that keeps me going:

“Write a little every day, without hope, without despair.” — Isak Dinessen. That is, you’ll have good days and bad days, sometimes good months and bad months, and letting it affect your self-definition or self-worth will leave you emotionally exhausted. You can’t write if you’re too tired.

For me, writing (and other art) contains within itself a constant source of joy. If you look at the faces of athletes as they enter a stadium or field, many wear big grins. They’re about to do the thing they love the most. They’ll get to work as hard as they can and as smart as they can. They can do their best. You can do that, too, if you choose a creative path, because excellence is always possible. Art lets you bring your whole self to your work.